Greek skateboarder Maliakos Nikos has made waves in the Athenian scene for his amazing photography, both in and out of skating circles.
We asked him a few questions about his work, and how he decided to photograph both skateboarding and the Refugee crisis.
How did you get into photography?
Maliakos Nikos: I guess I was interested in photographs since I was quite young, but never considered the scenario of becoming a professional photographer. While studying industrial design, I attended a photography workshop and realised that this was for me. Ever since I have always been moving around with my camera in my hands, searching for the next frame.
What was it about skateboarding that drew your lens?
Maliakos Nikos: I have been collecting skateboarding magazines for almost 20 years now, so naturally skate photography has played a substantial role in my perspective and aesthetics. By being a skater and photographer at the same time, I take my photographs with both sides of that relationship in my mind.
Tell us a bit about your latest work?
Maliakos Nikos: In the past year I chose to spend several months doing voluntary service at the island of Lesvos, aiding the incoming refugees. As a consequence, the theme of my photographs was influenced greatly by the experiences I had during those five months. Since returning to Athens, I have been working regularly as a street, skate, fashion photographer on several projects.
What is one thing you’ve always wanted to shoot?
Maliakos Nikos: One idea that I conceived years ago, and have always wanted to do ever since at some point in my life, is to photograph each one of favourite riders in the streets of his city and its architectural surroundings. In that way, I would combine my love for skating and architecture.
Thanks Maliakos!
